{"id":174,"date":"2021-08-03T20:00:09","date_gmt":"2021-08-03T18:00:09","guid":{"rendered":"https:\/\/lescincllunes.apuntmedia.es\/?p=174"},"modified":"2021-08-03T21:41:26","modified_gmt":"2021-08-03T19:41:26","slug":"capitol-2-la-dansa-que-riu","status":"publish","type":"post","link":"https:\/\/lescincllunes.apuntmedia.es\/index.php\/2021\/08\/03\/capitol-2-la-dansa-que-riu\/","title":{"rendered":"Cap\u00edtol 2 &#8211; La dansa que riu"},"content":{"rendered":"\n<div style=\"max-width: 960px;\"><video-js data-account=\"6057955885001\" data-player=\"kxOJQ6zBrc\" data-embed=\"default\" controls=\"\" data-video-id=\"1693297707076880539\" data-playlist-id=\"\" data-application-id=\"\" class=\"vjs-fluid\"><\/video-js><\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1000\" height=\"151\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerTEATRE.jpg\" alt=\"\" class=\"wp-image-46\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerTEATRE.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerTEATRE-300x45.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerTEATRE-768x116.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p>En el segon cap\u00edtol de <em>Les cinc llunes<\/em> l\u2019actriu <strong>Pilar Almeria<\/strong> estrena la seua secci\u00f3 \u201cLa butaca\u201d, en qu\u00e8 fa un recorregut per la hist\u00f2ria del teatre valenci\u00e0 contemporani i alguns dels seus protagonistes. Tamb\u00e9 ens parla del proc\u00e9s creatiu teatral, les produccions p\u00fabliques i privades o la relaci\u00f3 amb el p\u00fablic.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"1001\" height=\"101\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/seccionsssssss-04.jpg\" alt=\"\" class=\"wp-image-146\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/seccionsssssss-04.jpg 1001w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/seccionsssssss-04-300x30.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/seccionsssssss-04-768x77.jpg 768w\" sizes=\"(max-width: 1001px) 100vw, 1001px\" \/><\/figure><\/div>\n\n\n\n<p>En aquesta primera entrega ens convida, en primera persona, a fer una ullada a la traject\u00f2ria de la <strong>Companyia Teatre Micalet<\/strong> que ella va cofundar fa m\u00e9s de vint-i-cinc anys.<\/p>\n\n\n\n<iframe src=\"https:\/\/www.google.com\/maps\/embed?pb=!1m18!1m12!1m3!1d3079.911571628803!2d-0.38621358463259037!3d39.471326379486335!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0xd604f4edc6d6f89%3A0x6bf051e69e8f122e!2sTeatre%20Micalet!5e0!3m2!1sca!2ses!4v1615886701461!5m2!1sca!2ses\" width=\"1000\" height=\"200\" style=\"border:0;\" allowfullscreen=\"\" loading=\"lazy\"><\/iframe>\n\n\n\n<p>El <strong>Teatre Micalet<\/strong>, ubicat f\u00edsicament a la centen\u00e0ria <strong>Societat Coral el Micalet<\/strong>, \u00e9s un dels espais teatrals m\u00e9s emblem\u00e0tics de la ciutat de Val\u00e8ncia. L\u2019edifici original fou constru\u00eft a finals dels anys 50 i era un pati senzill cobert d\u2019uralita que acollia espor\u00e0dicament actuacions de teatre i sarsuela. Seguidament podem veure alguns programes de m\u00e0 de l\u2019\u00e8poca.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"1000\" height=\"500\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Programes.jpg\" alt=\"\" class=\"wp-image-2284\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Programes.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Programes-300x150.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Programes-768x384.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p>El teatre va patir un incendi l\u2019any 1971 i fou reconstru\u00eft i reobert el 1974. \u00c9s llavors quan comencen a passar pel seu escenari grans figures de la m\u00fasica com <strong>Maria del Mar Bonet, Guillermina Motta, Al Tall<\/strong> o <strong>Ovidi Montllor<\/strong>, i del teatre, com ara <strong>Els Joglars, Dagoll Dagom<\/strong> o<strong> Els Comediants<\/strong>.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"712\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/FOTO_FacanaMicalet.jpg\" alt=\"\" class=\"wp-image-78\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/FOTO_FacanaMicalet.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/FOTO_FacanaMicalet-300x214.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/FOTO_FacanaMicalet-768x547.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p>No \u00e9s fins a l\u2019any 1995 que un grup d\u2019entusiastes del teatre, format per la mateixa <strong>Pilar Almeria<\/strong> i uns joves <strong>Joan Peris<\/strong> i <strong>Ximo Solano<\/strong>, agafen les regnes de l\u2019espai. En la foto els podem veure als tres en una de les primeres reunions del que seria la <strong>Companyia Teatre Micalet<\/strong>.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"722\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/FOTO_MicaletReunio.jpg\" alt=\"\" class=\"wp-image-79\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/FOTO_MicaletReunio.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/FOTO_MicaletReunio-300x217.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/FOTO_MicaletReunio-768x554.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>La primera representaci\u00f3 fou <strong><em>N\u00e0pols Milion\u00e0ria<\/em><\/strong>, estrenada el 13 de maig de 1995. L\u2019obra d\u2019<strong>Eduardo De Filippo<\/strong> estava dirigida pel mateix <strong>Peris<\/strong> i tenia un extens cat\u00e0leg d\u2019actors i actrius com <strong>Isabel Requena<\/strong> o <strong>Pep Ricart<\/strong>, habituals en les produccions de la companyia.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"905\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/FOTO_NapolsMilionaria.jpg\" alt=\"\" class=\"wp-image-80\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/FOTO_NapolsMilionaria.jpg 750w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/FOTO_NapolsMilionaria-249x300.jpg 249w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/figure><\/div>\n\n\n\n<p>Aquell primer espectacle el tancava la cl\u00e0ssica tornada del <em>Tutti al mare<\/em>, de <strong>Gabriella Ferri<\/strong>, can\u00e7\u00f3 que tornaria a sonar, a manera d\u2019homenatge i dues d\u00e8cades m\u00e9s tard, a <em>Nadal a casa els Cupiell<\/em>o.<\/p>\n\n\n\n<iframe src=\"https:\/\/open.spotify.com\/embed\/track\/0geXfP5mtBNWMOAyh0h0tT\" width=\"1000\" height=\"100\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n\n\n\n<p>Entre les moltes obres que ha interpretat la companyia, en destaquem una altra, <em>Ser o no res<\/em>, una versi\u00f3 peculiar i actualitzada de l\u2019obra de Shakespeare m\u00e9s coneguda de la literatura universal. Protagonitzada per<strong> Sergio Caballero<\/strong>, <strong>Empar Canet<\/strong>, <strong>Pep Ricart<\/strong> i <strong>Pilar Almeria<\/strong>, el muntatge fou estrenat el desembre de 2014 i proposava un metateatre en clau de com\u00e8dia i drama en qu\u00e8 quatre actors reflexionen sobre l\u2019ofici, la manera de comunicar-se amb el p\u00fablic i les seues inquietuds.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Tr&amp;agrave;iler SER O NO RES\" src=\"https:\/\/player.vimeo.com\/video\/120179002?dnt=1&amp;app_id=122963\" width=\"750\" height=\"422\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><em><em>El jard\u00ed dels cirerers <\/em><\/em>\u00e9s una de les \u00faltimes representacions de la companyia. Protagonitzada per <strong>Pilar Almeria<\/strong> i dirigida, com \u00e9s habitual, per Joan Peris, tracta la hist\u00f2ria d\u2019una fam\u00edlia d\u2019arist\u00f2crates russos que han de vendre la finca familiar per a poder fer front als seus deutes. Un cl\u00e0ssic que parla sobre un m\u00f3n en crisi, sobre l\u2019amor i sobre el poder dels diners. <\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"El jard\u00ed dels cirerers \u00b7 Companyia Teatre Micalet\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/oOiA9mfCgms?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"151\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerDANSA.jpg\" alt=\"\" class=\"wp-image-44\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerDANSA.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerDANSA-300x45.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerDANSA-768x116.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p><strong><strong>No\u00e8lia Li\u00f1ana<\/strong><\/strong> \u00e9s una ballarina i core\u00f2grafa valenciana que ha desenvolupat la major part de la seua carrera entre Barcelona i Londres.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"440\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/1_FOTO_NoeliaSucre.jpg\" alt=\"\" class=\"wp-image-17\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/1_FOTO_NoeliaSucre.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/1_FOTO_NoeliaSucre-300x132.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/1_FOTO_NoeliaSucre-768x338.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"185\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/CescGelabert.jpg\" alt=\"\" class=\"wp-image-50\"\/><\/figure><\/div>\n\n\n\n<p>Durant deu anys va pert\u00e0nyer a la companyia de dansa contempor\u00e0nia de <strong>Cesc Gelabert<\/strong> i <strong>Lydia Azzorpardi<\/strong>. Amb el m\u00fasic <strong>Paco Enlaluna<\/strong> va presentar el seu primer espectacle, <em>Sucre<\/em>, on la paraula, la m\u00fasica i la dansa s\u2019agafaven de la m\u00e0.<\/p>\n\n\n\n<p>En els \u00faltims anys ha portat la dansa als instituts i ha donat l\u2019oportunitat de debutar damunt dels escenaris a joves promeses. Sempre disposada a ajudar les noves generacions, ens obri les portes d\u2019<strong>Estudio 21<\/strong>, on treballa amb un grup de ballarins i ballarines que busquen el seu lloc en aquest m\u00f3n de la dansa.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"200\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/3_FOTO_SalatEstudio21.jpg\" alt=\"\" class=\"wp-image-23\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/3_FOTO_SalatEstudio21.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/3_FOTO_SalatEstudio21-300x60.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/3_FOTO_SalatEstudio21-768x154.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p>La seua passi\u00f3, m\u00e9s enll\u00e0 de la dansa i l\u2019ofici de core\u00f2grafa, \u00e9s impulsar projectes amb joves que volen dedicar-s\u2019hi. Per aix\u00f2 t\u00e9 un especial inter\u00e9s a dur la dansa i la m\u00fasica als instituts i despertar la motivaci\u00f3 de futurs artistes potencials.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"791\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/GE21_19.jpg\" alt=\"\" class=\"wp-image-93\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/GE21_19.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/GE21_19-300x237.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/GE21_19-768x607.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p><em><strong><em>M\u00e9s a prop<\/em><\/strong><\/em> \u00e9s una de les \u00faltimes propostes esc\u00e8niques que dirigeix <strong>No\u00e8lia Li\u00f1ana<\/strong> amb la producci\u00f3 de l\u2019<strong>Institut Valenci\u00e0 de Cultura<\/strong>. L\u2019espectacle gira entorn de les cinc emocions b\u00e0siques (alegria, tristesa, por, ira i f\u00e0stic) i tracta d\u2019acostar la dansa contempor\u00e0nia a tots els p\u00fablics, parant especial atenci\u00f3 en el sector m\u00e9s jove.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Teaser M\u00c9S A PROP\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/3Tcd-VlSIts?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"151\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/COLORS_Separadors-21.jpg\" alt=\"\" class=\"wp-image-951\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/COLORS_Separadors-21.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/COLORS_Separadors-21-300x45.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/COLORS_Separadors-21-768x116.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1001\" height=\"101\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/COLORS_Separadors-08.jpg\" alt=\"\" class=\"wp-image-952\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/COLORS_Separadors-08.jpg 1001w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/COLORS_Separadors-08-300x30.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/COLORS_Separadors-08-768x77.jpg 768w\" sizes=\"(max-width: 1001px) 100vw, 1001px\" \/><\/figure><\/div>\n\n\n\n<p><strong><strong>Laura Romero Valldecabres<\/strong><\/strong> ens proposa en la secci\u00f3 \u201cL\u2019estetoscopi\u201d un passeig per les narratives sonores i radiof\u00f2niques experimentals. Xicotetes p\u00edndoles on visita paisatges i mostra ficcions auditives no convencionals. El so com a instrument per ell mateix.<\/p>\n\n\n\n<p>L\u2019estetoscopi, tamb\u00e9 anomenat fonendoscopi, \u00e9s un aparell sanitari utilitzat per a escoltar els sorolls interns del cos, com els batecs card\u00edacs o la respiraci\u00f3. Fou inventat pel metge franc\u00e9s <strong>Ren\u00e9 Laennec <\/strong>l\u2019any 1816, qui es creu que sentia vergonya en acostar l\u2019orella al pit nu de les seues pacients per a auscultar-les.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"731\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/1_FOTO_LaennecPintura.jpg\" alt=\"\" class=\"wp-image-8\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/1_FOTO_LaennecPintura.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/1_FOTO_LaennecPintura-300x219.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/1_FOTO_LaennecPintura-768x561.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p>El pintor <strong>Theobald Chartran<\/strong> va retratar Laenec en plena auscultaci\u00f3 directa, tamb\u00e9 anomenada immediata, a un malalt t\u00edsic (tubercul\u00f3s) a l\u2019hospital Necker de Par\u00eds. En la pintura podem veure com el metge subjecta el seu invent mentre un grup d\u2019estudiants de medicina observa atentament l\u2019escena des del lateral.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"563\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/4_EstetoscopiQUADRE.jpg\" alt=\"\" class=\"wp-image-24\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/4_EstetoscopiQUADRE.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/4_EstetoscopiQUADRE-300x169.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/4_EstetoscopiQUADRE-768x432.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p>Des de la seua invenci\u00f3, els models d\u2019estetoscopi han sigut molts i molt variats, tamb\u00e9 fets de materials diversos. Seguidament podem veure la primera versi\u00f3 de <strong>Laennec<\/strong>, consistent en un senzill cilindre fusta, aix\u00ed com algunes de les variacions que s\u2019han anat succeint en els dos-cents anys i escaig d\u2019hist\u00f2ria de l\u2019aparell.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/2_FOTO_estetoscopiLaennec.jpg\" alt=\"\" class=\"wp-image-21\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/2_FOTO_estetoscopiLaennec.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/2_FOTO_estetoscopiLaennec-300x200.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/2_FOTO_estetoscopiLaennec-768x512.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"403\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/3_EstetoGRAN.jpg\" alt=\"\" class=\"wp-image-22\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/3_EstetoGRAN.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/3_EstetoGRAN-300x121.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/3_EstetoGRAN-768x310.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p>Una frase suggerent xiuxiuejada. El xiuxiueig com a mat\u00e8ria art\u00edstica. Un text senzill llegit en veu baixa, processada, filtrada. Una textura que acaba convertint-se en mantra. \u00c9s l\u2019univers \u00edntim i particular de <strong>Hildegard Westerkamp<\/strong>, l\u2019artista sonora que ens presenta <strong>Laura Romero<\/strong>.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/5_HildegartWesterkamp-300x300.jpg\" alt=\"\" class=\"wp-image-27\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/5_HildegartWesterkamp-300x300.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/5_HildegartWesterkamp-150x150.jpg 150w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/5_HildegartWesterkamp.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><em><strong><em>\u201cComen\u00e7a escoltant els sons del teu cos mentre et mous. S\u00f3n el m\u00e9s proper a tu, i estableixen el primer di\u00e0leg entre tu i l\u2019entorn\u201d<\/em><\/strong><\/em><\/h2>\n\n\n\n<p><strong>Westerkamp<\/strong>, d\u2019origen canadenc, \u00e9s una de les pioneres del paisatgisme sonor, la composici\u00f3 de gravacions de camp i de diferents t\u00e8cniques d\u2019enregistrament amb micr\u00f2fons. A continuaci\u00f3 podem escoltar la seua primera gravaci\u00f3 publicada l\u2019any 1989, <em>Kits Beach Soundwalk<\/em>, on la veu de l\u2019artista descriu els ambients que hi van apareixent.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/2A1_Westerkamp.mp3\"><\/audio><\/figure>\n\n\n\n<p>Notable \u00e9s tamb\u00e9 la seua aportaci\u00f3 sonora al cinema del director nord-americ\u00e0 <strong>Gus Van Sant<\/strong>, en pel\u00b7l\u00edcules com <em>Elephant<\/em> (2003) o <em>Last Days<\/em> (2005). En el tr\u00e0iler de <em>Paranoid Park<\/em> (2007) hi ha una mostra dels ambients cinematogr\u00e0fics inquietants que \u00e9s capa\u00e7 de crear.<\/p>\n\n\n\n<iframe width=\"1000\" height=\"400\" src=\"https:\/\/www.youtube.com\/embed\/ZkMDs3FXVzg?start=6&amp;end=35\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n\n<p><\/p>\n\n\n\n<p>Podeu escoltar m\u00e9s peces sonores de <strong>Westerkamp <\/strong>en el seu <a rel=\"noreferrer noopener\" href=\"https:\/\/www.hildegardwesterkamp.ca\/\" target=\"_blank\">lloc personal<\/a>.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"151\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerCINEMA.jpg\" alt=\"\" class=\"wp-image-42\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerCINEMA.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerCINEMA-300x45.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerCINEMA-768x116.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p>La mem\u00f2ria gr\u00e0fica del poble valenci\u00e0 viu als arxius de la Filmoteca. Milers de xicotetes gravacions familiars que s\u2019entrellacen i conformen un acurat mapa gen\u00e8tic de la nostra hist\u00f2ria en min\u00fascula. Rostres an\u00f2nims i escenaris quotidians que ens conten hist\u00f2ries d\u2019un passat no tan lluny\u00e0 des de la pantalla.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"715\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/1.png\" alt=\"\" class=\"wp-image-7\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/1.png 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/1-300x215.png 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/1-768x549.png 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p>Parlem del <strong>cinema dom\u00e8stic<\/strong>, el germ\u00e0 menut del cine, que est\u00e0 conformat per totes aquelles cintes rescatades del fons dels calaixos, i que l\u2019<strong>Institut Valenci\u00e0 de l\u2019Audiovisual i la Cinematografia<\/strong> s\u2019encarrega de recopilar, estudiar i conservar.<\/p>\n\n\n\n<p>La boda dels besavis, l\u2019any que la tieta va ser reina de la falla o aquella vegada que va caure una nevada impressionant a Val\u00e8ncia quan \u00e9rem xiquets. Dies especials i fets quotidians capturats de manera amateur, innocent, per\u00f2 que suposen un testimoni f\u00edlmic fonamental per a entendre d\u2019on venim, com hem canviat, com hem evolucionat i com hem progressat, nosaltres i el nostre entorn. L\u2019arquitectura, els vehicles, els paisatges, la roba, els pentinats\u2026 Qualsevol detall \u00e9s \u00fatil per a transportar-nos d\u00e8cades enrere.<\/p>\n\n\n\n<div style=\"max-width: 960px;\"><video-js data-account=\"6057955885001\" data-player=\"kxOJQ6zBrc\" data-embed=\"default\" controls=\"\" data-video-id=\"1693758989637984321\" data-playlist-id=\"\" data-application-id=\"\" class=\"vjs-fluid\"><\/video-js><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>Els fen\u00f2mens meteorol\u00f2gics sempre han tingut un especial inter\u00e9s per als aficionats al cinema i v\u00eddeo dom\u00e8stics. En el clip seg\u00fcent veiem un nombr\u00f3s grup de xiquets que observen curiosos la nevada des de la finestra. Saben que els estan gravant, fan carasses a la c\u00e0mera. Completa la postal un conjunt de teulades nevades d\u2019una Val\u00e8ncia en blanc i negre.<\/p>\n\n\n\n<div style=\"max-width: 960px;\"><video-js data-account=\"6057955885001\" data-player=\"kxOJQ6zBrc\" data-embed=\"default\" controls=\"\" data-video-id=\"1693758988212869528\" data-playlist-id=\"\" data-application-id=\"\" class=\"vjs-fluid\"><\/video-js><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>En el fragment seg\u00fcent, gravat en algun moment indeterminat dels anys 60, veiem una Val\u00e8ncia en Falles amb rius de gent acudint a l\u2019ofrena de la Mare de D\u00e9u. Una parella es fa un bes furtivament des d\u2019un balc\u00f3, sabedora que s\u2019est\u00e0 immortalitzant el moment, mentre una mare i un fill saluden somrients a la c\u00e0mera. N\u2019\u00e9s una altra mostra del valor documental del cinema dom\u00e8stic.<\/p>\n\n\n\n<div style=\"max-width: 960px;\"><video-js data-account=\"6057955885001\" data-player=\"kxOJQ6zBrc\" data-embed=\"default\" controls=\"\" data-video-id=\"1693758986921085991\" data-playlist-id=\"\" data-application-id=\"\" class=\"vjs-fluid\"><\/video-js><\/div><script src=\"https:\/\/players.brightcove.net\/6057955885001\/kxOJQ6zBrc_default\/index.min.js\"><\/script>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>Redacci\u00f3<\/strong>  Cristina Qu\u00edlez, Saray Puchades i Guillem Nicol\u00e0s<br><strong>Producci\u00f3<\/strong>  Estela Mart\u00ednez<br><strong>Assessorament ling\u00fc\u00edstic<\/strong>  Gl\u00f2ria Banyuls<br><strong>Edici\u00f3<\/strong>  Francesc Bosch<br><strong>Realitzaci\u00f3<em> <\/em><\/strong> Arnau M\u00faria<br><strong>Disseny sonor<\/strong>  Tere N\u00fa\u00f1ez<br><strong>Direcci\u00f3<\/strong>  Am\u00e0lia Garrig\u00f3s<\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>Continguts multim\u00e8dia<\/strong>  Borja Pons<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1001\" height=\"179\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/LOGOS_Mesa-de-trabajo-1-3.png\" alt=\"\" class=\"wp-image-643\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/LOGOS_Mesa-de-trabajo-1-3.png 1001w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/LOGOS_Mesa-de-trabajo-1-3-300x54.png 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/LOGOS_Mesa-de-trabajo-1-3-768x137.png 768w\" sizes=\"(max-width: 1001px) 100vw, 1001px\" \/><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<div style=\"max-width: 960px;\"><video-js data-account=\"6057955885001\" data-player=\"kxOJQ6zBrc\" data-embed=\"default\" controls=\"\" data-video-id=\"1693297707076880539\" data-playlist-id=\"\" data-application-id=\"\" class=\"vjs-fluid\"><\/video-js><\/div>\n<p><script src=\"https:\/\/players.brightcove.net\/6057955885001\/kxOJQ6zBrc_default\/index.min.js\"><\/script><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-174","post","type-post","status-publish","format-standard","hentry","category-programes-complets"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.9 - 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