{"id":226,"date":"2021-08-26T21:00:56","date_gmt":"2021-08-26T19:00:56","guid":{"rendered":"https:\/\/lescincllunes.apuntmedia.es\/?p=226"},"modified":"2021-08-26T21:06:53","modified_gmt":"2021-08-26T19:06:53","slug":"capitol-16-lliures-i-llunatics","status":"publish","type":"post","link":"https:\/\/lescincllunes.apuntmedia.es\/index.php\/2021\/08\/26\/capitol-16-lliures-i-llunatics\/","title":{"rendered":"Cap\u00edtol 16 &#8211; Llun\u00e0tics i lliures"},"content":{"rendered":"\n<div style=\"max-width: 960px;\"><video-js data-account=\"6057955885001\" data-player=\"kxOJQ6zBrc\" data-embed=\"default\" controls=\"\" data-video-id=\"1693297951838751238\" data-playlist-id=\"\" data-application-id=\"\" class=\"vjs-fluid\"><\/video-js><\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1000\" height=\"151\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerMUSICA.jpg\" alt=\"\" class=\"wp-image-45\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerMUSICA.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerMUSICA-300x45.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerMUSICA-768x116.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p>Cinema, videojocs, s\u00e8ries, documentals o teatre. El ventall de productes d\u2019oci i entreteniment al nostre abast \u00e9s ampli i molt divers, per\u00f2 amb un denominador com\u00fa que els travessa: la m\u00fasica. Tots aquests productes necessiten bandes sonores, efectes de so i ambients sonors de tota mena. I d\u2019aix\u00f2 se n\u2019encarrega el nostre convidat, <strong>Ram\u00f3n Giner<\/strong>, especialista a posar m\u00fasica a audiovisuals de tota classe. Amb un peu a la lluna de la m\u00fasica i l\u2019altre a la del cinema repassem el seu treball.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Ramon_Giner-1024x683-1.jpeg\" alt=\"\" class=\"wp-image-2054\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Ramon_Giner-1024x683-1.jpeg 1024w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Ramon_Giner-1024x683-1-300x200.jpeg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Ramon_Giner-1024x683-1-768x512.jpeg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>En <strong>Ram\u00f3n Giner<\/strong> trobem dues vessants molt marcades: la pedag\u00f2gica, que exerceix des del <strong>Conservatori Professional de M\u00fasica de Ll\u00edria<\/strong> i la compositiva, molt m\u00e9s ecl\u00e8ctica i diversa, en qu\u00e8 trobem refer\u00e8ncies de quasi tots els g\u00e8neres i formats.<\/p>\n\n\n\n<p>En el m\u00f3n acad\u00e8mic, <strong>Giner<\/strong> destaca per la seua aportaci\u00f3 en la mat\u00e8ria de cultura audiovisual de la qual n\u2019\u00e9s pioner i referent. Un dels experiments que realitza a les seues classes \u00e9s el de projectar la mateixa escena d\u2019un film d\u2019<strong>Alfred Hitchcock<\/strong>, canviant-ne la m\u00fasica en cada ocasi\u00f3. L\u2019objectiu \u00e9s demostrar el poder d\u2019influ\u00e8ncia de la m\u00fasica sobre la imatge i com \u00e9s capa\u00e7 de modificar radicalment els sentiments que provoca en una mateixa escena.<\/p>\n\n\n\n<p>En la vessant creativa destaca la seua estreta relaci\u00f3 amb l\u2019obra del referent de l\u2019animaci\u00f3 <strong>Pablo Llorens<\/strong>, amb qui ha participat en un grapat de projectes. En veiem l\u2019exemple m\u00e9s notable en el fragment final i els cr\u00e8dits de l\u2019<strong><em>Enigma del chico croqueta<\/em><\/strong>, pel\u00b7l\u00edcula que va guanyar el Goya a millor curt d\u2019animaci\u00f3 i la Mostra de Cine de Val\u00e8ncia a la millor m\u00fasica l\u2019any 2004.<\/p>\n\n\n\n<div style=\"padding:58.13% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/109462223?portrait=0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<p><\/p>\n\n\n\n<p>D\u2019entre les nombroses col\u00b7laboracions amb Llorens, destaquem tamb\u00e9 <strong><em>Molecular Zombie<\/em><\/strong>, curtmetratge on <strong>Ram\u00f3n<\/strong> es va encarregar de la m\u00fasica, dels efectes de so i de la mescla. Una pe\u00e7a amb un caire m\u00e9s dram\u00e0tic i de suspens que havia d\u2019ambientar una boja hist\u00f2ria de ci\u00e8ncia-ficci\u00f3. N\u2019escoltem una mostra.<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/110558377?portrait=0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<p><\/p>\n\n\n\n<p>Paral\u00b7lelament al m\u00f3n acad\u00e8mic, <strong>Ram\u00f3n Giner<\/strong> es defineix com autodidacta en m\u00fasiques no tradicionals, fora de la cl\u00e0ssica de conservatori. Al llarg dels anys ha investigat i desenvolupat m\u00fasiques per a projectes molt diversos, que requerien estils i t\u00e8cniques tamb\u00e9 molt diferents.<\/p>\n\n\n\n<p>Publicitat, s\u00e8ries, documentals, teatre\u2026 Cap format queda fora del seu terreny de joc. En la ficci\u00f3 televisiva destaquem la m\u00fasica i els efectes de so desenvolupats per a <strong><em>The Shadownsters<\/em><\/strong>, una de les s\u00e8ries inclosa en la programaci\u00f3 infantil de <a href=\"https:\/\/apuntmedia.es\/va\/la-colla\/angles\/the-shadownsters\"><strong><em>La Colla d\u2019\u00c0 Punt<\/em><\/strong><\/a>, en versi\u00f3 original per a ajudar els m\u00e9s menuts a aprendre angl\u00e9s.<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/109913647?portrait=0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<p><\/p>\n\n\n\n<p>En teatre, un dels seus treballs m\u00e9s reeixits \u00e9s la col\u00b7laboraci\u00f3 amb <strong>Mois\u00e9s Bautista<\/strong> i <strong>Teresa N\u00fa\u00f1ez<\/strong>, creadora de les sintonies de <em>Les cinc llunes<\/em>, amb qui va compondre la m\u00fasica per a l\u2019espectacle esc\u00e8nic <em>Confluencias<\/em> de la companyia <strong>Els visitants<\/strong>.<\/p>\n\n\n\n<div style=\"padding:75% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/109613467?portrait=0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<p><\/p>\n\n\n\n<p><em>Los artistas rupestres<\/em> \u00e9s la seua incursi\u00f3 en el m\u00f3n del documental, on empra un registre musical i efectes sonors m\u00e9s org\u00e0nics, m\u00e9s tribals.<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/109444208?portrait=0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<p><\/p>\n\n\n\n<p>En els \u00faltims anys ha treballat tamb\u00e9 en m\u00fasiques destinades a videojocs, m\u00e9s lleugeres. Un treball creatiu divertit per\u00f2 diferent de l\u2019habitual, on predominen bucles musicals destinats a mantindre l\u2019inter\u00e9s en la pantalla del m\u00f2bil, a difer\u00e8ncia de la m\u00fasica per a cinema, on cada escena requereix un tractament i una narrativa especial.<\/p>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/98023125?portrait=0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n\n<p><\/p>\n\n\n\n<p>Proposem a Ram\u00f3n Giner interpretar una de les seues composicions al piano de cola del nostre estudi lunar, i \u00e9s precisament aquesta <strong><em>Bubble Witch Saga 2<\/em><\/strong> la pe\u00e7a escollida, en una versi\u00f3 exclusiva per a<em> Les cinc llunes<\/em> molt m\u00e9s cl\u00e0ssica que l\u2019original. A continuaci\u00f3 podeu veure\u2019n el resultat.<\/p>\n\n\n\n<div style=\"max-width: 960px;\"><video-js data-account=\"6057955885001\" data-player=\"kxOJQ6zBrc\" data-embed=\"default\" controls=\"\" data-video-id=\"1693759746116282636\" data-playlist-id=\"\" data-application-id=\"\" class=\"vjs-fluid\"><\/video-js><\/div><script src=\"https:\/\/players.brightcove.net\/6057955885001\/kxOJQ6zBrc_default\/index.min.js\"><\/script>\n\n\n\n<p><\/p>\n\n\n\n<p>Per a saber m\u00e9s de la seua obra podeu visitar el <a href=\"http:\/\/ramonginer.com\/\">lloc web de <strong>Ram\u00f3n Giner<\/strong><\/a>, el seu <a href=\"https:\/\/vimeo.com\/user33428164\">perfil de Vimeo<\/a> o consultar la seua <a href=\"https:\/\/www.imdb.com\/name\/nm3803341\/\" target=\"_blank\" rel=\"noreferrer noopener\">filmografia<\/a> a <strong>IMDB<\/strong>, el major cat\u00e0leg d&#8217;obres cinematogr\u00e0fiques online.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"1001\" height=\"101\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/arrels-02.jpg\" alt=\"\" class=\"wp-image-39\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/arrels-02.jpg 1001w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/arrels-02-300x30.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/arrels-02-768x77.jpg 768w\" sizes=\"(max-width: 1001px) 100vw, 1001px\" \/><\/figure><\/div>\n\n\n\n<p>Al llarg dels darrers cinquanta anys, diverses formacions i int\u00e8rprets han utilitzat la m\u00fasica tradicional com a recurs creatiu. En aquest segon episodi recorrem l\u2019evoluci\u00f3 d\u2019aquest tractament des dels anys de la Transici\u00f3 fins al fenomen <strong>Botifarra<\/strong>.<\/p>\n\n\n\n<p>Tres generacions damunt d&#8217;un escenari. <strong>Carraixet<\/strong> \u00e9s un dels grups pioners de la posada en valor del folk i la m\u00fasica popular valenciana. Amb una llarga tradici\u00f3 familiar de m\u00fasics ha resistit les modes, el masclisme, una dictadura, la violenta Batalla de Val\u00e8ncia i fins i tot un intent d&#8217;atemptat amb bomba.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"566\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Carraixet2.jpeg\" alt=\"\" class=\"wp-image-2079\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Carraixet2.jpeg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Carraixet2-300x170.jpeg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Carraixet2-768x435.jpeg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p><strong>Carraixet<\/strong> va ser un dels caps m\u00e9s visibles d&#8217;aquella generaci\u00f3 de m\u00fasics que va posar en marxa la reinterpretaci\u00f3 de la m\u00fasica tradicional, compartint cartell i escenari en incomptables ocasions a m\u00fasics com <strong>Paco Mu\u00f1oz<\/strong>, <strong>Al Tall<\/strong>, <strong>Llu\u00eds el Sinfoner<\/strong> o <strong>Els Pavesos<\/strong>. Veiem la interpretaci\u00f3 que feia <strong>Carraixet<\/strong> de la can\u00e7\u00f3 <em>Les parrandes<\/em>, el 25 d\u2019abril de 2016 a la pla\u00e7a de bous de Val\u00e8ncia.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"LES PARRANDES - CARRAIXET\" width=\"750\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/0rcM7UqO4lQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Contra tot pron\u00f2stic, el segle XXI comen\u00e7a amb un nou moviment s\u00edsmic que sacsejar\u00e0 de nou la m\u00fasica tradicional valenciana i li tornar\u00e0 una popularitat transversal que mai no havia assolit amb els moviments precedents. Un cantador procedent del m\u00f3n dels grups de danses esdev\u00e9 un veritable \u00eddol de masses per la seua autenticitat personal, el seu carisma esc\u00e8nic i una ins\u00f2lita capacitat comunicativa. Esclata aleshores el fenomen <strong>Botifarra<\/strong>.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"562\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Botifarra.jpeg\" alt=\"\" class=\"wp-image-2091\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Botifarra.jpeg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Botifarra-300x169.jpeg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Botifarra-768x432.jpeg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p>En els anys vuitanta el&nbsp;cantaor de X\u00e0tiva <strong>Pep Gimeno <em>Botifarra<\/em><\/strong> es va llan\u00e7ar a rec\u00f3rrer poble per poble i a gravar a les persones majors per tal de rescatar de l\u2019oblit una tradici\u00f3 que estava a punt de desapar\u00e8ixer.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"JOSEP GIMENO &quot;BOTIFARRA&quot; 112 - Malaguenya de Barxeta (Barcelona, gener de 2010).\" width=\"750\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/0l6VE8wM3H8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>No t\u00e9&nbsp;tel\u00e8fon m\u00f2bil, ni cotxe.&nbsp;En canvi, sap el nom de tots els estris dels llauradors, els refranys de molts pobles i les caracter\u00edstiques fon\u00e8tiques de les parles del nostre poble. Recita de mem\u00f2ria centenars de frases fetes, embarbussaments, roman\u00e7os i contes.<\/p>\n\n\n\n<p>Arrels \u00e9s la primera gira programada de <strong>Pep Gimeno <em>Botifarra<\/em><\/strong> despr\u00e9s de m\u00e9s de 40 anys de llavor cultural.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"ARRELS - Els invisibles\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/Pxb69A2pSuc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>Redacci\u00f3<\/strong> Cristina Qu\u00edlez, Saray Puchades i Guillem Nicol\u00e0s<br><strong>Producci\u00f3<\/strong>  Estela Mart\u00ednez<br><strong>Assessorament ling\u00fc\u00edstic<\/strong>  Gl\u00f2ria Banyuls<br><strong>Edici\u00f3<\/strong>  Francesc Bosch<br><strong>Realitzaci\u00f3<em>  <\/em><\/strong>Arnau M\u00faria<br><strong>Disseny sonor<\/strong>  Tere N\u00fa\u00f1ez<br><strong>Direcci\u00f3<\/strong> Am\u00e0lia Garrig\u00f3s<\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>Continguts multim\u00e8dia<\/strong> Borja Pons<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1001\" height=\"179\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/LOGOS_Mesa-de-trabajo-1-3.png\" alt=\"\" class=\"wp-image-643\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/LOGOS_Mesa-de-trabajo-1-3.png 1001w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/LOGOS_Mesa-de-trabajo-1-3-300x54.png 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/LOGOS_Mesa-de-trabajo-1-3-768x137.png 768w\" sizes=\"(max-width: 1001px) 100vw, 1001px\" \/><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<div style=\"max-width: 960px;\"><video-js data-account=\"6057955885001\" data-player=\"kxOJQ6zBrc\" data-embed=\"default\" controls=\"\" data-video-id=\"1693297951838751238\" data-playlist-id=\"\" data-application-id=\"\" class=\"vjs-fluid\"><\/video-js><\/div>\n<p><script src=\"https:\/\/players.brightcove.net\/6057955885001\/kxOJQ6zBrc_default\/index.min.js\"><\/script><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-226","post","type-post","status-publish","format-standard","hentry","category-programes-complets"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.9 - 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