{"id":228,"date":"2021-08-30T23:00:00","date_gmt":"2021-08-30T21:00:00","guid":{"rendered":"https:\/\/lescincllunes.apuntmedia.es\/?p=228"},"modified":"2021-08-30T21:50:52","modified_gmt":"2021-08-30T19:50:52","slug":"capitol-18-maleits","status":"publish","type":"post","link":"https:\/\/lescincllunes.apuntmedia.es\/index.php\/2021\/08\/30\/capitol-18-maleits\/","title":{"rendered":"Cap\u00edtol 18 &#8211; Male\u00efts"},"content":{"rendered":"\n<div style=\"max-width: 960px;\"><video-js data-account=\"6057955885001\" data-player=\"kxOJQ6zBrc\" data-embed=\"default\" controls=\"\" data-video-id=\"1693297949167009186\" data-playlist-id=\"\" data-application-id=\"\" class=\"vjs-fluid\"><\/video-js><\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1000\" height=\"151\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerCINEMA.jpg\" alt=\"\" class=\"wp-image-42\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerCINEMA.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerCINEMA-300x45.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerCINEMA-768x116.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p>\u00c9s l\u2019eterna pregunta. Ha existit mai un cine valenci\u00e0? Un cine que ens siga propi, aut\u00f2cton, genu\u00ed\u2026? Hi ha una vertadera estructura d\u2019ind\u00fastria i producci\u00f3 cinematogr\u00e0fica valenciana tal com es reconeix en altres autonomies? L\u2019hem tinguda alguna vegada?<\/p>\n\n\n\n<div style=\"max-width: 960px;\"><video-js data-account=\"6057955885001\" data-player=\"kxOJQ6zBrc\" data-embed=\"default\" controls=\"\" data-video-id=\"1693875632345128230\" data-playlist-id=\"\" data-application-id=\"\" class=\"vjs-fluid\"><\/video-js><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>El documental <strong><em>Cinema i Utopia<\/em><\/strong>, que es va presentar a la <strong>Mostra de Val\u00e8ncia &#8211; Cinema del Mediterrani<\/strong>, busca la resposta a trav\u00e9s d\u2019un mosaic de testimonis de veus autoritzades en el tema.&nbsp;<\/p>\n\n\n\n<div style=\"max-width: 960px;\"><video-js data-account=\"6057955885001\" data-player=\"kxOJQ6zBrc\" data-embed=\"default\" controls=\"\" data-video-id=\"1693875631087886402\" data-playlist-id=\"\" data-application-id=\"\" class=\"vjs-fluid\"><\/video-js><\/div><script src=\"https:\/\/players.brightcove.net\/6057955885001\/kxOJQ6zBrc_default\/index.min.js\"><\/script>\n\n\n\n<p><\/p>\n\n\n\n<p><em>Cinema i utopia<\/em> ens parla tamb\u00e9 d\u2019aquells cineastes que, al marge de la producci\u00f3, distribuci\u00f3 i exhibici\u00f3 d\u2019un hipot\u00e8tic circuit comercial, han creat la seua pr\u00f2pia obra moltes vegades amb una voluntat molt m\u00e9s expressiva i contracultural que pr\u00f2piament cinematogr\u00e0fica.<\/p>\n\n\n\n<p>Esta generaci\u00f3 de creadors i cineastes, que va proliferar i va desenvolupar la seua obra durant els anys seixanta i setanta, es coneix com &#8220;els male\u00efts&#8221;. Una generaci\u00f3 que no va ser compacta, ni homog\u00e8nia i que sembla que no va germinar en cap moviment cinematogr\u00e0fic posterior de rellev\u00e0ncia, tot i que segons apunten alguns testimonis&nbsp;del film, va constituir un aut\u00e8ntic conat de cine valenci\u00e0.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"1000\" height=\"800\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/orfeo_filmado_en_el_campo_de_batalla-152463674-large.jpeg\" alt=\"\" class=\"wp-image-2114\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/orfeo_filmado_en_el_campo_de_batalla-152463674-large.jpeg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/orfeo_filmado_en_el_campo_de_batalla-152463674-large-300x240.jpeg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/orfeo_filmado_en_el_campo_de_batalla-152463674-large-768x614.jpeg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p>En el documental es destaquen tamb\u00e9 dos t\u00edtols com les pel\u00b7l\u00edcules de refer\u00e8ncia del cinema independent valenci\u00e0. Aquests films s\u00f3n <em>Orfeo filmado en el campo de batalla<\/em>, d\u2019<strong>Antonio Maenza<\/strong>, el m\u00e0xim exponent del cine avantguardista d\u2019aquesta etapa, i <em>Salom\u00e9<\/em>, de <strong>Rafa Gassent<\/strong>, un dels autors que va realitzar m\u00e9s obres classificades en esta tend\u00e8ncia de cinema independent o underground valenci\u00e0. A l&#8217;enlla\u00e7 podeu veure <a href=\"https:\/\/www.youtube.com\/watch?v=jDv_3FIAgow\" target=\"_blank\" rel=\"noreferrer noopener\">el curtmetratge<\/a> realitzat a partir dels materials recuperats del film&nbsp;<em>Salom\u00e9<\/em>, segrestat pel Tribunal de Orden P\u00fablico l&#8217;any 1971.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"1000\" height=\"1152\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/el_virgo_de_visanteta-479633222-large.jpg\" alt=\"\" class=\"wp-image-2108\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/el_virgo_de_visanteta-479633222-large.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/el_virgo_de_visanteta-479633222-large-260x300.jpg 260w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/el_virgo_de_visanteta-479633222-large-889x1024.jpg 889w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/el_virgo_de_visanteta-479633222-large-768x885.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p>El documental <em>Cinema i utopia<\/em> presenta quatre casos paradigm\u00e0tics, quatre films d\u2019\u00e8xit \u2015cal entendre el concepte d\u2019\u00e8xit en el sentit m\u00e9s ampli\u2015 que difereixen entre si, que van generar diferents reaccions, i que s\u00f3n reivindicats per no pocs com a exemples fonamentals de la hist\u00f2ria filmogr\u00e0fica valenciana: <em>La portentosa vida del padre Vicente<\/em>, de <strong>Carles Mira<\/strong>; <em>El virgo de Visanteta<\/em>, de <strong>Vicente Escriv\u00e1<\/strong>, basada en el sainet de <strong>Josep Bernat i Baldov\u00ed<\/strong>; <em>Tres en raya<\/em>, de <strong>Paco Rom\u00e1<\/strong> i <em>Cada ver es<\/em>, d\u2019<strong>\u00c1ngel Garcia del Val<\/strong>.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"453\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Cartells.png\" alt=\"\" class=\"wp-image-2110\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Cartells.png 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Cartells-300x136.png 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Cartells-768x348.png 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"151\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerMUSICA.jpg\" alt=\"\" class=\"wp-image-45\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerMUSICA.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerMUSICA-300x45.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerMUSICA-768x116.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1001\" height=\"101\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Pentagram.jpg\" alt=\"\" class=\"wp-image-127\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Pentagram.jpg 1001w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Pentagram-300x30.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/Pentagram-768x77.jpg 768w\" sizes=\"(max-width: 1001px) 100vw, 1001px\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Cap\u00edtol 4: <em>Manuel Palau<\/em><\/h2>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-medium is-resized\"><img decoding=\"async\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/manuel-palau-227x300.jpeg\" alt=\"Manuel Palau\" class=\"wp-image-1271\" width=\"200\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/manuel-palau-227x300.jpeg 227w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/manuel-palau.jpeg 500w\" sizes=\"(max-width: 227px) 100vw, 227px\" \/><\/figure><\/div>\n\n\n\n<p>Un dels compositors m\u00e9s importants de la m\u00fasica valenciana del segle XX i mestre de diverses generacions de m\u00fasics \u00e9s, sens dubte, <strong>Manuel Palau<\/strong>. Ens endinsem en un perfil ple de matisos, amb una activitat vertiginosa, que va abastar molts \u00e0mbits.<\/p>\n\n\n\n<p>Escoltem una de les partitures m\u00e9s aclamades de la seua prol\u00edfica obra, <em>Coplas de mi tierra<\/em>, de 1919, interpretada per l&#8217;<strong>Orquestra Municipal de Val\u00e8ncia<\/strong> el dia de cap d&#8217;any de 1972, amb la direcci\u00f3 de <strong>Luis A. Garc\u00eda Navarro<\/strong>.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe width=\"1000\" height=\"400\" src=\"https:\/\/www.youtube.com\/embed\/Q3oM0ObFc-s?start=94&amp;end=145\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n\n<p><\/p>\n\n\n\n<p>Un dels per\u00edodes m\u00e9s prol\u00edfics de <strong>Palau<\/strong> van ser els anys 30 del segle XX, on trobem t\u00edtols com ara <em>Marxa Burlesca<\/em>, un fragment de la qual podeu veure seguidament interpretada per l\u2019<strong>Orquestra Municipal de Val\u00e8ncia<\/strong> en la Televisi\u00f3 Espanyola l\u2019any 1971.<\/p>\n\n\n\n<iframe width=\"1000\" height=\"400\" src=\"https:\/\/www.youtube.com\/embed\/CSCs656l9TQ?start=0&amp;end=92\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n\n<p><\/p>\n\n\n\n<p>Altre peces reeixides de <strong>Manuel Palau<\/strong> s\u00f3n <em>Divertimento per a orquestra <\/em>o <em>Campanes, <\/em>per a piano,<em> <\/em>que <strong>Antonio Galera<\/strong> interpreta en directe al piano de <em>Les cinc llunes<\/em>.<\/p>\n\n\n\n<div style=\"max-width: 960px;\"><video-js data-account=\"6057955885001\" data-player=\"kxOJQ6zBrc\" data-embed=\"default\" controls=\"\" data-video-id=\"1693759743451800290\" data-playlist-id=\"\" data-application-id=\"\" class=\"vjs-fluid\"><\/video-js><\/div><script src=\"https:\/\/players.brightcove.net\/6057955885001\/kxOJQ6zBrc_default\/index.min.js\"><\/script>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"151\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/COLORS_Separadors-21.jpg\" alt=\"\" class=\"wp-image-951\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/COLORS_Separadors-21.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/COLORS_Separadors-21-300x45.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/COLORS_Separadors-21-768x116.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1001\" height=\"101\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/COLORS_Separadors-10.jpg\" alt=\"\" class=\"wp-image-985\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/COLORS_Separadors-10.jpg 1001w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/COLORS_Separadors-10-300x30.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/COLORS_Separadors-10-768x77.jpg 768w\" sizes=\"(max-width: 1001px) 100vw, 1001px\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Cap\u00edtol 4: <em>Hara Alonso<\/em><\/h2>\n\n\n\n<p>Parlem sobre m\u00fasica experimental i <em>performance <\/em>amb <strong>Hara Alonso<\/strong>, pianista i compositora especialitzada en la barreja d\u2019electr\u00f2nica, dansa i m\u00fasica instrumental.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"463\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/HaraAlonso.jpg\" alt=\"\" class=\"wp-image-1655\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/HaraAlonso.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/HaraAlonso-300x139.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/HaraAlonso-768x356.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>A l&#8217;\u00e0lbum debut de <strong>Hara Alonso<\/strong>, <em>Piano\u00efs<\/em>e, el piano i l\u2019electr\u00f2nica es creuen. Una exploraci\u00f3 entre harmonia, atonalitat, ritme i textura. El resultat \u00e9s una dansa s\u00f2nica que es mou al voltant dels extrems t\u00edmbrics, de vegades tendres i de vegades violents.&nbsp;La paleta sonora \u00e9s \u00e0mplia i ecl\u00e8ctica, una barreja d\u2019elements sonors provinents de la m\u00fasica contempor\u00e0nia, la dansa i el soroll.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"KEROXEN_LZ 18 \/ KEROXEN_LABEL: HARA ALONSO, &#039;PIANO\u00cfSE&#039; [KRXN#009] - Teaser\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/aefmgS3gPlo?start=58&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Com a pianista, <strong>Hara<\/strong> explora els l\u00edmits de les possibilitats t\u00edmbriques de l\u2019instrument a partir de la seua intervenci\u00f3 amb tota mena d\u2019objectes. En les seues composicions, el piano deixa de ser un instrument convencional per a convertir-se en un aparell d\u2019especulaci\u00f3 sonora.<\/p>\n\n\n\n<p>L&#8217;\u00faltim disc de <strong>Hara Alonso<\/strong> \u00e9s <em>Somatic Suspension<\/em>, una an\u00e0lisi del despreniment i la quietud. Ple de malestar i profundament personal. L&#8217;autora va utilitzar el seu instrument com a vehicle cap a la introspecci\u00f3, de la qual van eixir l\u00ednies de piano que criden l&#8217;atenci\u00f3 per la seua senzillesa i repetici\u00f3.<\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1222597750\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/eotrax.bandcamp.com\/album\/somatic-suspension\">Somatic Suspension by Hara Alonso<\/a><\/iframe>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>\u201cEls sons de l\u2019escola rural&#8221; <\/strong>\u00e9s un projecte que busca experimentar amb el so des de la viv\u00e8ncia personal, posant especial \u00e8mfasi en els processos de creaci\u00f3 col\u00b7lectiva i relacionant-los amb tres conceptes claus: el paisatge sonor, l\u2019oralitat i la gravaci\u00f3 sonora.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Los sonidos de la escuela rural \/ Resumen de la muestra final de curso 17-18\" src=\"https:\/\/player.vimeo.com\/video\/274654915?dnt=1&amp;app_id=122963\" width=\"750\" height=\"422\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"151\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerMUSICA.jpg\" alt=\"\" class=\"wp-image-45\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerMUSICA.jpg 1000w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerMUSICA-300x45.jpg 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/BannerMUSICA-768x116.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p>La valenciana <strong>Elma Sambeat<\/strong> i el pianista franc\u00e9s <strong>Baptiste Bailly<\/strong> presenten Muerto de amor, un disc en qu\u00e8 aconsegueixen un so \u00fanic i personal a ritme de jazz i de m\u00fasica popular. Un treball que ret homenatge a l&#8217;obra immensa i inacabable de <strong>Federico Garc\u00eda Lorca<\/strong>.<\/p>\n\n\n\n<iframe width=\"700\" height=\"400\" src=\"https:\/\/www.youtube.com\/embed\/YoMQAbChDOU?start=116\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>Redacci\u00f3<\/strong>  Cristina Qu\u00edlez, Saray Puchades i Guillem Nicol\u00e0s<br><strong>Producci\u00f3<\/strong>  Estela Mart\u00ednez<br><strong>Assessorament ling\u00fc\u00edstic<\/strong>  Gl\u00f2ria Banyuls<br><strong>Edici\u00f3<\/strong>  Francesc Bosch<br><strong>Realitzaci\u00f3<em>  <\/em><\/strong>Arnau M\u00faria<br><strong>Disseny sonor<\/strong>  Tere N\u00fa\u00f1ez<br><strong>Direcci\u00f3<\/strong>  Am\u00e0lia Garrig\u00f3s<\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>Continguts multim\u00e8dia<\/strong>  Borja Pons<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1001\" height=\"179\" src=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/LOGOS_Mesa-de-trabajo-1-3.png\" alt=\"\" class=\"wp-image-643\" srcset=\"https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/LOGOS_Mesa-de-trabajo-1-3.png 1001w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/LOGOS_Mesa-de-trabajo-1-3-300x54.png 300w, https:\/\/lescincllunes.apuntmedia.es\/wp-content\/uploads\/2021\/03\/LOGOS_Mesa-de-trabajo-1-3-768x137.png 768w\" sizes=\"(max-width: 1001px) 100vw, 1001px\" \/><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<div style=\"max-width: 960px;\"><video-js data-account=\"6057955885001\" data-player=\"kxOJQ6zBrc\" data-embed=\"default\" controls=\"\" data-video-id=\"1693297949167009186\" data-playlist-id=\"\" data-application-id=\"\" class=\"vjs-fluid\"><\/video-js><\/div>\n<p><script src=\"https:\/\/players.brightcove.net\/6057955885001\/kxOJQ6zBrc_default\/index.min.js\"><\/script><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-228","post","type-post","status-publish","format-standard","hentry","category-programes-complets"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.9 - 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